New Alex Craig and Christina Lynn-Craig Living Music Award to be granted spring 2023

Anonymous — Wed, 01 Mar 2023 07:00:00 +0000

New Alex Craig and Christina Lynn-Craig Living Music Award to be granted spring 2023 Anonymous (not verified) Wed, 03/01/2023 - 00:00

Kathryn Bistodeau

The College of Music’s American Music Research Center (AMRC) announces a new award, set to be granted for the first time this spring: The Alex Craig and Christina Lynn-Craig Living Music Award celebrates the works of late composer Alex Craig. Craig earned a bachelor’s degree in music history and master’s in composition at �� Boulder, and held the position of staff accompanist at the College of Music from 1976 until 2011.

This biannual award is open to both undergraduate and graduate students, and supports the performance of Craig’s compositions housed in the AMRC Archive in Norlin Library’s Rare and Distinctive Collections. Learn more and apply by April 7.

For undergraduate and graduate students, a new biannual award celebrates the works and legacy of late composer Alex Craig.

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Kedrick Armstrong conducts delayed premiere of Irene Britton Smith’s “Sinfonietta”

Anonymous — Thu, 10 Nov 2022 07:00:00 +0000

Kedrick Armstrong conducts delayed premiere of Irene Britton Smith’s “Sinfonietta” Anonymous (not verified) Thu, 11/10/2022 - 00:00

Kathryn Bistodeau

Photo: In this brief video, meet Kedrick Armstrong and hear him share his discovery of Irene Britton Smith's “Sinfonietta.”

There’s no doubt about it, the career of Kedrick Armstrong—graduate orchestral conducting student—is quickly gaining momentum:

One of two �� music Buffs on The Washington Post’s “composers and performers to watch” list, Armstrong will conduct the world premiere of “The Factotum” with the Lyric Opera of Chicago in February 2023; meanwhile, closer to home, he’ll conduct the �� Symphony Orchestra’s performance of Irene Britton Smith’s “Sinfonietta” at Macky Auditorium next week.

Armstrong pulled “Sinfonietta” from the Helen Walker-Hill Collection in the American Music Research Center archives, and has been working on converting the original score to parts for an orchestra for over a year. “Immediately, I knew there was something in her language and in her writing that was different from anything that I had ever heard before, especially coming from a Black woman in the 20th century,” he says.

Smith was an elementary school music educator for most of her life and wrote “Sinfonietta” as her thesis project for her master’s program. According to Director of Orchestral Studies Gary Lewis, “It will likely be the first performance of the work since the year of its composition in 1956.”

Armstrong says he’s excited to conduct the overdue premiere, but also acknowledges a certain pressure that comes with the territory. “How do you interpret a work where there’s never been an interpretation before you?” he asks. “It feels like a lot of weight, but I continue to put myself in experimentation where you try something and you try again if it doesn’t go as you want it to.

“The biggest thing I hope audiences take away from this is that there is no ‘sonic monolith’ to Black music, even in classical music,” Armstrong adds. “There is such a wide variety of what Black composers are engaging with. I think that’s the key to opening up the door to true equity of Black composers, across the board.”

The �� Symphony Orchestra will perform “Sinfonietta”—along with Emilie Mayer’s “Faust-Ouverture” and Jean Sibelius’ Symphony No. 2 in D Major—at 7:30pm on Nov. 16.

The career of Kedrick Armstrong—graduate orchestral conducting student—is quickly gaining momentum, including conducting the �� Symphony Orchestra’s performance of Irene Britton Smith’s “Sinfonietta” next week.

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New Alex Craig and Christina Lynn-Craig Living Music Award to be granted spring 2023

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Kedrick Armstrong conducts delayed premiere of Irene Britton Smith’s “Sinfonietta”

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