Expanding horizons, 88 keys at a time
Robert Hjelmstad works with a student during the Piano for Dreamers after-school program.
Any successful teacher will tell you that he couldn’t do his job well without empathy. Understanding the “why” behind a student’s struggles is the first step in helping her overcome challenges and truly learn.
That’s a lesson that has really begun to hit home for Robert Hjelmstad and the other College of Music students taking part in the Piano for Dreamers program.
“I’ve taught for eight years now in different settings. But whenever I teach kids who wouldn’t have access to music under normal circumstances, I’m not only sharing the joy of music but of something they’ve been excluded from.
“Teaching a different population gives me more tools in my arsenal as a teacher.”
Hjelmstad is the doctoral student instructor for Piano for Dreamers, a program started last year by Associate Professor of Piano Pedagogy Alejandro Cremaschi. With help from a Boulder Outreach Award, partners with the Boulder Valley chapter of the to offer a weekly piano class to elementary school students.
“Research shows that kids who learn music at a young age have higher grades and stay in school,” Cremaschi says. “This is opening up new possibilities for children who might not be able to afford lessons otherwise.”
This year’s class, a group of 12 fifth graders from Longmont, includes some returning students from last year. The I Have a Dream Foundation’s model places the same coordinator with the same cohort of students from kindergarten through high school.
During class time, Hjelmstad and his undergraduate student assistant, senior Abby Hesse, work with students on rhythm, sight reading, improvisation and ensemble playing. Though the university grant allowed Piano for Dreamers to purchase keyboards for the students to take home, Cremaschi says they often don’t practice on their own—making in-class instruction all the more important.
“I started playing piano when I was 7, and my dad played piano too, so he was there to steer me in the right direction,” Hjelmstad says. “These kids are playing some of the same pieces I used to play, but they bused 45 minutes to get here and they play for 50 minutes a week with 10 other kids. It’s so much harder—but they’re still doing it.”
Hjelmstad, who has taught in programs like this before, says that once he changed his expectations—starting with clapping rhythms instead of pushing keys—it clicked.
“Method books that we use to teach piano are progressively graded, so I had to throw that out the window because these kids aren’t going home and practicing after lessons. All that’s done in the classroom.”
Cremaschi—one-time chair of the College of Music’s diversity committee and winner of the 2015 from the Office of Diversity, Equity and Community Engagement—says the weekly class is eye opening for both teacher and student.
“Many of the children are minority students, often Hispanic,” he says. “We need more of an awareness in the college of things we could do with populations we haven’t served in the past. The concert we did last year with is an example of the benefit of that outreach.”
Adds Hjelmstad, “there are a lot of lessons to be learned about sticking with something and determination. We deal with some frustration in there. But by the end of the semester, the students feel like they’ve accomplished something, and that’s great to experience.”
And as Cremaschi looks toward expanding Piano for Dreamers in the future, he says he hopes his colleagues will follow his lead.
“It’s not just the right thing to do for the community, it helps open up new teaching possibilities for our students. In terms of instrumental pedagogy, I hope my colleagues understand that serving pre-college kids is helpful for our students as well.”
For more information about Piano for Dreamers and the I Have a Dream Foundation, visit the.