Canon Vixia HF-G70
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Attach the Battery Pack
When you check out the camera, make sure you get two batteries from the Vault.Ìý
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The battery compartment is located at the rear of the camera.
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To remove the battery, slide the release lever, located on the underside of the camera in the direction of the arrow. Hold down the release lever and slide the battery out.
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The compact and lightweight VIXIA HF G70 offers high quality 4K UHD video, a Canon 20x optical zoom lens, advanced autofocus, Slow Motion recording in 0.4x Full HD, Fast Motion recording in 4K/Full HD up to 1200x and HD livestreaming with UVC1 via a USB-C connection to a PC or Mac.
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Automatic Operation Mode:
Since this is a 2000-level class, students will be allowed to use the camera in automatic mode and simply concentrate on learning how to frame shots and shoot sequences. In later upper division courses, like JRNL 3644 Digital Video Production 1, you can learn how to operate cameras in manual mode, using more advanced models. Manual mode operation lets you take creative control back!
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Insert the battery by making sure to align the leads and then press it into the compartment. Slide the battery until it clicks into place.
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Tripod
The tripod you're using is a Manfrotto 190X quick release head. Release the clamps to extend the legs, although when you lock the clamps down, careful not to pinch yourself!
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The pan knob (pivots the camera horizontally) is located at the base of the tripod head. The tilt knob (pivots the camera vertically), is located on the side of the tripod head. Before you pan or tilt, make sure to loosen these knobs. But before you mount the camera, make sure the tripod head is level, and then tighten the pan and tilt knobs to lock the tripod head so that it doesn't move when you mount the camera.
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The locking lever is attached to a silver button located inside the catch system. Loosen the lever and then press it down. Hold the locking lever down and lower the other side of the camera's base plate into the catch system. Release the locking lever.
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With the camera mounted securely, you should be able to pick up the entire assembly when you need to move a short distance to a new location. Always have one hand on the camera when you move it. For walking longer distances, it's recommended that you dismount the camera and carry it in the camera case.
When using the tripod, don't hesitate to change the length of the legs so that you can vary the perspective. Never shoot all of your footage from the same height.
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Holding the camera firmly, raise the pedestal to the desired height. Tighten the knob to secure it. Make sure the pedestal doesn't feel loose.
The best practice when using the tripod is to extend the legs to a height lower than you might need, and then use the pedestal to give flexibility to raising and lowering the camera height.
NOTE: When lowering the pedestal, always have a firm grip on the camera. Loosen the pedestal knob and lower the camera slowly. Then tighten the knob to secure it.
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Extend the panhandle to a comfortable position. Use the pan handle to pan or tilt the camera smoothly.
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Mounting the Camera
This tripod head uses a side-lock system for easier and safer camera mounting. To mount the camera on the tripod, lower one edge of the base plate (which is attached to the bottom of the camera) against the side of the catch system opposite the locking lever.
NOTE: Make sure the lens is pointing opposite the pan handle.
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Tighten the locking lever so the silver button pinches against the plate creating a secure connection.
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But if you're in a position where it might be difficult to get more height from extending the legs alone, then try using the pedestal. First turn the knob at the base of the tripod head to loosen the pedestal.
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The Vixia uses a dual card slot, located inside the LCD viewfinder compartment. This dual card slot can be used for relay recordings or for recording on both cards simultaneously.
In relay recording, when the first card fills up, the camera will switch automatically to record on the second card. In dual slot recording, the camera will record on both cards at the same time. This feature is a convenient way to make a backup copy of your recording. But if a card becomes full during dual recording, both cards will stop recording.
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Removing the card
The slot is spring loaded, so to remove the card you simply press it to release the spring and then the card will pop out part of the way. Pull out the card gently and put it in a safe place.
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When inserting or removing an SD card from a camera, it's often safer to make sure the power is off. But leaving the power on shouldn't be a problem as long as the card isn't engaged (recording or playing back).To know if the card is engaged, check the Access light above the side grip. If the Access light is red, then the card is engaged either recording footage or playing back media. Never remove the card when the Access light is red. When the light is off, then it's safe to remove the card without fear of damaging it or its contents.
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Insert the card in either slot A or B. When you insert the card, don't try to force it. The gold leads on the card should face towards the back of the camera. Use the illustration here as a guide. Insert the card and gently press until it clicks.Then close the slot cover. The camera will not record until the slot cover is closed.
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When handling the card, avoid touching the leads as skin oils can cause problems with the card's ability to record data.
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Among the symbols at the top of the menu page, tap the one for Recording Setup, and then select Page 2. Initialize appears at the top of the page.
Tap Initialize.
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Then select the Initialize button to start the operation. The camera will display a message reminding you that initialize will completely erase all files from the memory card. You will have the option to abort by tapping No, or to continue tapping Yes.
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JRNL 2001 students need only use the camera in AUTO mode, which means that the camera controls the exposure (aperture, shutter speed, and gain), white balance, and focus depending on the scene being shot. In other words, the camera will select the best settings for every situation.Ìý The AUTO switch is located near the side grip next to the zoom rocker.
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Zooming in or out will let you change the field of view, or the framing of the shot, to wide, medium, and close-up. But you shouldn't have to rely on zoom to change framing. Try moving the camera closer or further away to get your wide, medium, and close-up shots. Vary it. Use the tripod often to get the most rock steady shots, and apply the rule of thirds to show balanced and pleasing composition.
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On the side of the Vixia, open the compartment to show the various inputs to the camera. There is a terminal for headphones, USB, HDMI OUT, and one for MIC.
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Connect one end of the coiled mini-phono cable to the RX terminal, and the other end to the MIC terminal on the camera. Once you connect the plug to the MIC terminal, the internal camera microphone will disengage, favouring only the wireless microphone.
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Check the audio meter in the LCD screen. The audio levels for normal talking during the interview should peak at about -12 dB. If the audio seems high or low, you can adjust the levels by tapping the FUNC button, and then tap the audio symbol to display the level controls. Have the person wearing the microphone describe what they had for breakfast in their normal, conversational voice. Tap the left or right arrow to change the levels until they peak at about -12dB, which is the optimal level for digital audio.
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During the interview, always wear the headphones so you can listen closely to the sound. You're listening for anything that might interfere with the audio quality, such as background noise (air conditioning units, ambulance sirens, etc.), distortions in the audio levels (make some minor adjustments to the levels), or even microphone issues such as a loose cable causing interference, hair or fabric covering the microphone and making noise, etc.
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- 1 TX (Transmitter)
- 1 RX (Receiver)
- 1 XLR to mini-phono cable
- 1 mini-phono coiled cable
- 1 lavalier microphone
The lavalier (lapel) microphone connects to the TX, which in turn is connected to the speaker; the RX is connected to the camera. 2 AA batteries are needed to operate the TX and and 2 AA's for the RX. The Vault does not carry AA batteries. For the Canon Vixia, the XLR to mini-phono cable will not be needed, so put this cable back in the bag right away (don't lose anything!)
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Slide the RX mount into the shoe mount from the back forward. Then turn the knob to tighten. Make sure the RX is attached firmly.
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Use the coiled mini-phono cable in the kit to connect the RX to the camera.
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To power up the RX and TX, press and hold the round button on the front display. Both the TX and RX will register a radio channel. The channel should be the same on both TX and RX, meaning that the transmitter and receiver are paired.
Make sure you plug in headphones to do a sound check. To know that the wireless microphone is engaged, talk into it and you should hear your voice coming in loud and clear. Tap the microphone gently, and you should be able to hear this noise clearly.
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Do your best to correct the audio problems because you don't want the audience to have to put up with them if they're allowed to interfere with the person talking. Seriously, if the audio problem is noticeable, then don't be afraid to stop the interview and make adjustments.
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