Published: April 6, 2018 By

Catalogue EntryPhotograph of squat jar, tan with brown slip decoration, from the side against a neutral gray background.

This vase is one ofÌýa collection of Greek vasesÌýheld by the ¶¶ÒõÂÃÐÐÉä Art Museum.

Gift to ¶¶ÒõÂÃÐÐÉä Classics Department
Transferred to ¶¶ÒõÂÃÐÐÉä Museum of Natural History
Ìý(2006)

Height: 5.7 cm
Diameter (max.): 8.3 cm
Date: 14th centuryÌýB.C.E.
Origin: Greece

Description: Small pot with rounded bottom, two handles on shoulder, flaring neck and protruding lip. Tan clay with brown slip decoration. Uneven circles ring the base and lower body. The upper body and shoulder are decorated with lines of dots. Handles are covered entirely in brown slip. Base of neck, neck, and inside of mouth covered in brown slip.Ìý

Additional photos of this vessel show details of the mouth, handles, and decoration.

Discussion

This small, two-handled jar dates to the Late Helladic I period, approximately 1,550-1,500 B.C.E. (1). The simple decoration consists of six rows of brown dots on the upper part of the body, with three concentric Photograph of squat jar, tan with brown slip decoration, from the side against a neutral gray background.circles beneath; neither the dots nor the bands have been painted particularly carefully. The slip is worn and chipped in many places and appears to have faded in some areas, as well; this fading may be the result of age and wear or a firing error.Ìý

This shape, typical ofÌýLate Helladic or Mycenaean pottery, is an early form of the taller and thinner alabastron. The alabastron, which originated in Egypt, can be seen in a 6th century B.C.E. example in the ¶¶ÒõÂÃÐÐÉä Art Museum's collection. Alabastra, which are sometimes associated with women,Ìýwere used to hold bathing oil, perfumed or otherwise (3). Squat jars like this one are sometimes associated with women and are often found in burials; because they were often interred with the deceased, many have survived in relatively good condition. The small size and resemblace to these later vessels suggest its use as a container for ointment or oil. The small handles may have allowed rope or leather to be passed through, allowing it to be suspended from the wrist or another object, which made it portable and easily accessible. The mouth may have been sealed with some sort of lid or wax to keep the contents from spilling. Another possible use for such a small vase is to pour libations for the deceased during a funerary ritual.Ìý

The stippled pattern on the upper part of the vessels' body is a feature of pots from the Late Helladic period (4). It has been suggested that the spots may be meant to represent either stone or an ostrich egg (5), in both cases serving to make the simple clay resemble a more expensive or exotic material. Such imitation of costly materials continues throughout Greek art.Ìý

A similar but slightly later jar in the ¶¶ÒõÂÃÐÐÉä Art Museum's collection likely had a similar function.Ìý

Comparanda

  • ´¡°ù²Ô±ðÌý¹ó³Ü°ù³Ü³¾²¹°ù°ì,ÌýThe Mycenaean Pottery: Analysis and ClassificationÌý(Stockholm: Victor Pettersons Bokindustriaktiebolag, 1941):Ìý41, fig. 11 (80); 422, Fig. 73.

Footnotes

  1. Chara Tzavella-Evjen,ÌýGreek and Roman Vases and Statuettes from the University of Colorado CollectionÌý(Athens: Archaiologikon Deltion, 1973): 192-197. Dates from John G. Pedley,ÌýGreek Art and ArchaeologyÌý(Upper Saddle River, N.J.: Prentice Hall 1993): 29.
  2. ´¡°ù²Ô±ðÌý¹ó³Ü°ù³Ü³¾²¹°ù°ì,ÌýThe Mycenaean Pottery: Analysis and ClassificationÌý(Stockholm: Victor Pettersons Bokindustriaktiebolag, 1941): 1, 39.
  3. For a full description of the alabastron shape, see Andrew J. Clark, Maya Elston, and Mary Louise Hart eds.,ÌýUnderstanding Greek Vases: A Guide to Terms, Styles, and TechniquesÌý(Malibu: J. Paul Getty Museum,Ìý2002):Ìý 65; see also Brian A. Sparkes,ÌýGreek Pottery: An IntroductionÌý(Manchester and New York: Manchester University Press, 1991): 80; Edward Lucie-Smith,ÌýThe Thames & Hudson Dictionary of Art TermsÌý( New York: Thames & Hudson, 2003), 12.
  4. ¹ó³Ü°ù³Ü³¾²¹°ù°ì,ÌýThe Mycenaean Pottery:1, 422.
  5. ¹ó³Ü°ù³Ü³¾²¹°ù°ì,ÌýThe Mycenaean Pottery: 1, 423.

Reference

  • Chara Tzavella-Evjen,ÌýGreek and Roman Vases and Statuettes from the University of Colorado CollectionÌý(Athens: Archaiologikon Deltion, 1973): 192-197.Ìý