Scripps Fellowship unites journalists to investigate oil and gas risks

Anonymous — Tue, 12 Feb 2019 21:42:10 +0000

Scripps Fellowship unites journalists to investigate oil and gas risks Anonymous (not verified) Tue, 02/12/2019 - 14:42

Shannon Mullane

In February 2018, Jason Plautz, a Ted Scripps Fellow at the time, got a message from a local scientist. There was a spike in oil-and-gas-related carcinogens in the air above Boulder the same night of an explosion at an oil well site 40 miles away, the researcher said.

What started as one reporter with an intriguing data set soon snowballed into five Scripps fellows producing an in-depth investigation into the dangers of the oil and gas boom.

The investigation centered on an explosion that injured one worker at the Stromberger oil and gas well pad near Windsor, Colorado in December 2017. Officials said the event posed little threat to the public or environment. But in “The rising risks of the West’s latest gas boom,” reporters Plautz and Dan Glick, from the 2001 fellowship cohort, revealed a night full of “chaos on the verge of catastrophe.” The story was an eight-month reporting effort, and in the end, it was produced by the largest group of fellows to ever team up on one story.

In addition to Plautz and Glick, the team included Ted Wood, from the 2002 cohort, who created all of the original photography. When High Country News picked it up, two more fellows became involved: Brian Calvert, from the 2014 fellowship cohort and High Country News editor-in-chief; and Jonathan Thompson, from the 2012 cohort and a contributing editor for the magazine.

“I, on my own, could not have done a version of the story that turned out as good,” Plautz said.

Through their reporting, Plautz and Glick recreated a detailed play-by-play of the night, showing for the first time how dangerous the explosion really was. On that December night, 50-foot-high flames leaped into the sky. There were 350 homes within a mile of the site, and residents called authorities saying they heard a boom and felt their houses shake. Well-site workers scrambled to respond.

“If the crew hadn’t shut everything down, ‘it could’ve been like an atomic bomb going off,’” said Ernie Bouldin, one of the supervisors who was on site during the explosion, as quoted in the story.

Extraction Oil and Gas, the company that owns the well pad, conducted an investigation, but never identified a root cause. All it came up with was a hypothesis that the explosion could have been caused by leaking gas on site.

“One of the challenges to reporting on oil and gas is that the industry is, no matter what they say, largely self-regulated...They report what they want to report,” Glick said. “In this case, there’s this explosion, and we still don’t know what happened. And the company is the only one that did the investigation. And that’s just crazy.”

That’s just one of many challenges that Plautz and Glick faced while reporting on the story. When they couldn’t get access to information, they filed information requests with local, state and federal governments. Finding sources who were there the night of the explosion was next to impossible until they got a detailed incident report from a sheriff’s department.

But working in a team, and the Scripps Fellowship itself, helped, Plautz said. Both gave the reporters something that always seems to be in short supply for a journalist: time.

“There was a lot of labor-intensive and time-intensive stuff that was certainly made easier by not having a daily job,” he said. For example, he could attend more community meetings and spend more time delving through complex oil and gas information databases.

In addition to time, Plautz said the Ted Scripps Fellowship connected him to sources and a network of journalists around the country with different skill sets and specialties. Plautz got to know Glick through several CEJ events, particularly a field trip to Weld County focusing on oil and gas that was led by Glick and Ted Wood earlier in the year. He even met the scientist who sent him the data set, Detlev Helmig, through the fellowship.

As for the rest of the team, some connected directly through the fellowship, others just knew of each other through the ever-growing network of former fellows.

For Glick, this network is one of the benefits of the fellowship. He often reaches out to fellows when he’s reporting on their “turf” to get the lay of the land.

“We're all such stray cats in the journalism world these days, especially the freelancers,” Glick said. “It's just so nice to know that there is this network out there of people who are really knowledgeable and helpful.”

Photo by Ted Wood, The Story Group

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Five Questions for the Fellows: Hillary Rosner

Anonymous — Wed, 23 Jan 2019 05:19:56 +0000

Five Questions for the Fellows: Hillary Rosner Anonymous (not verified) Tue, 01/22/2019 - 22:19

Shannon Mullane

The CEJ Scripps Fellowship has been bringing award-winning environmental journalists to �� Boulder for 21 years. Fellows embark on a year of courses, projects, field trips, seminars and more — taking advantage everything university life has to offer. This five-part series features each of the talented journalists in this year's cohort, taking a closer look at what drives them as journalists and what they think about environmental journalism today.

Hillary Rosner is a freelance journalist and editor. She has traveled the world with her writing, from Borneo to Kenya to here, the American West. She is a two-time winner of the American Association for the Advancement of Science Kavli Science Journalism Award, even acting as speaker for this year’s AAAS Kavli Science Journalism Award Lecture at Northwestern’s Medill School of Journalism. Her most recent project was published in the December issue of National Geographic and explores whether the world’s most in-demand vegetable oil — palm oil — can be sustainably harvested.

Why did you choose to cover environmental topics and is there any memory that stands out as formative in your decision?

I slowly became more interested in enviro topics as I was working for a variety of publications in NYC. There wasn’t one event, but I recall a growing desire to be out in a rainforest somewhere, reporting on the strange things that were happening to the natural world as a result of human activity. I remember sitting at my desk at the Village Voice reading the Yale School of Forestry course catalog. I briefly worked for a startup called Inside.com that covered the media industry, and I also recall sitting at my cramped desk there, thinking, “Why am I at Inside when I should be outside?”

What do you think is the most important environmental story happening today?

Climate change is the obvious answer. But just as important — and all the more important because of climate change — is land-use change. How we are converting forests to pastures and plantations and farm fields, paving over prairies, polluting waterways, fragmenting what little habitat remains for some species.

Where do you find inspiration for the stories you tell?

People! I’m often inspired by the scientists and conservation professionals I meet who are champions of a particular place or species. Without champions, we are nowhere. One of my favorite stories I’ve done involved a couple of scientists getting toward the end of their careers. They had spent decades working to save an endangered fish that was worse off than when they started. But they refused to give up — or to give up hope.

What are your favorite things to do outside of journalism?

Inspired by the freedom the fellowship provided me, I recently started taking piano lessons. I took lessons as a kid but stopped when I was like 11, and for years I’ve been wanting to take it up again but never have the time. I’m loving it. Beyond that, I like to hike, do yoga, and spend time with my husband, son, and dogs. And travel in our camper van! Oh, and ski. Alpine and Nordic. Yay winter!

What is one rule or strategy of environmental reporting you find particularly important?

Make sure to recharge. Reporting on the environment can get seriously depressing, particularly in these dark times. I was feeling really down last summer, thinking about how much worse off the planet seems now than it did when I began writing about this stuff a decade and a half ago, and a Canadian journalist I met reminded me of the importance of bearing witness. That helped inspire me to keep going. It’s important to document what’s going on. Even if it’s just for posterity.

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